Links to, and brief comments
on, three works I’ve enjoyed recently, each read on a mobile device.
![]() |
(click here) |
Colonialism,
post-colonialism, feminism, patriarchy, racism---there are many themes and
subtexts in the book, but I was preeminently taken by the depiction of the
relationship between the novel’s narrator (Tambu) and her cousin (Nyasha), both young teenage
girls, both born in the homestead but being “recruited” by the West, by the
white culture. Nyasha has spent time at school in London, both girls are students at the missionary school in their home country, and there is much in the
book about them navigating the two cultures. But Tambu and Nyasha are also teenagers,
fresh and smart, full of life, and the author is right on the money in
capturing the “lucid irreverence” of their behaviors, in front of their families,
in front of their schoolmates, in front of each other---some of it laugh out
loud funny. The relationship between the girls is so sweetly rendered, that
when at one point they realize their lives are taking different paths and they are
saying good bye to each other---man I was almost crying like a baby.
![]() |
(click here) |
Reading in the Mobile Era, by Mark West and Han Ei Chew
Obviously if Nervous Conditions were written today,
it would be a different book in many ways, one being the cousins would probably
be using mobile devices to communicate and to read. This report, released by UNESCO in 2014, examines the use of mobile devices, and the increase in reading as a result. The study (a free pdf download of 7.77 mb) was conducted in the countries of Zimbabwe, Ethiopia, Ghana, India, Kenya, Nigeria and Pakistan.
The leap from preindustrial
to digital economies in developing cultures is much written about. This report
is focused on reading, and shows that reading increases as texts are made widely
available via mobile devices. The conclusions are optimistic
![]() |
(click here) |
If Nervous Conditions represents the past,
and the UNESCO report the present, this novel is the future. Situated between
realistic and science fiction, and a literary descendent of Frankenstein, there
are also other genres at work and play---horror, humor, metafiction, mystery,
thriller et al.
It isn’t a pretty
picture of humankind, and the author’s viewpoint is almost consistently a
downer, but that attitude is offset by an expansive, gargantuan and Wikipedic level
of erudition combined with a circus of literary antics and stunts. At 638 pages
the book is a beast, but very compelling.
Here’s one of the cute,
more humorous passages from the novel to conclude this post. The narrator is a
young man who has fallen hard for a gorgeous woman named Lorelei who is way out
of his league. Nonetheless, they have gone together to a fast food restaurant. He’s
loco in love and she is
“…radiant in a light blue hoodie, white V-neck, and
jeans. Lorelei was the kind of girl that could pull off wearing a Kevlar vest
while reading Wordsworth. What a first-date story this would make for the
grandkids. Her, impenetrable and romantic; me, lost and longing. Her slender
fingers plucked up another fry, with a grace that concert pianists would covet.
She slid it through the viscous surface of her shake, like the mother of
Achilles baptizing her baby in liquid Lethe. Then a subtle twist of the fingers
as she pulled it free, the milkshake reaching up after it, trying to hold
tight, to fill in the emptiness her fry had drilled out, until finally gravity
overtook it, and the chocolate stalagmite let go, dropped back into itself, a
brief peak of nostalgia, until its tip tilted downward and wept its way back
into uniform smoothness, all evidence erased and forgotten…Lorelei held the fry
in her mouth, like a lollipop almost, and tilted her head to the side with
bemused sympathy…”
I can say with pretty
reasonable confidence that you’ll be happy with any of the three works
mentioned above.
www.randystark.com
www.randystark.com